Sydney M. Williams
30 Bokum Road – Apartment 314
Essex, CT 06426
Burrowing into Books
Reviews of Selective Readings
November 22, 2017
“A Strange Scottish Shore” is a historical mystery authored under a pen names.
Juliana Gray is my daughter-in-law Beatriz Williams.
“A Strange Scottish Shore”
Juliana Gray
“In the space of
an instant, I was hurtling backward, or forward,
or upward, propelled toward some magnetic pole.”
A
Strange Scottish Shore
Juliana
Gray
Beatriz’s interest in history and mythology is combined in this story with
her fascination for time travel. In the Author’s Note, at the end of the book,
she explains her concept: “In my own
head, time makes sense as kind of river flowing in one direction, and time
travel as the ability to jump around to different points along that river.”
As in her previous novel, A Most Extraordinary Pursuit, we
follow Emmeline Rose Truelove, a researcher for Arthur Maximilian Haywood (the
Duke of Olympia). In this story, she travels to a castle on Scotland’s Orkney
Islands to study an artifact, a suit of clothing, that had belonged to a Selkie
who had risen from the sea to marry the castle’s first laird. Haywood is
already there when she sets out. Emmeline is accompanied by Lord Silverton, a rakish
and mysterious young man who is in love with her. The year is 1906. The story
she tells, as was true in her first in this series, in based on a myth. In the
first, it was the tale of the Minotaur and his labyrinth on the island of
Crete. In this, the story is based on Selkies, mythological creatures who are
seals in the water, but once on land shed their skins to become human. In
western Scotland and Northern Ireland, tales of Selkies go back over two
hundred years. This legend is explained in a rubric before each chapter: a
quote from a book the Duke of Olympia will write in the future, in 1921 – “The
Book of Time,” by A.M. Haywood.
Without providing details, I can tell you that Silverton disappears on
the way north, and that Emmeline travels back 600 years to find him, in a
manner plausible, at least to this reader. Silverton speaks, in almost fatalist
fashion, of rules that govern our lives: “Everything’s
guided by rules, isn’t it? Even the things we don’t understand. Our whole lives
are spent trying to determine what the rules are.” I will not tell how the
story ends, but don’t be surprised with the occasional spectral appearances of
Queen Victoria and Emmeline’s recently-deceased father.
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